Showing posts with label lighting. Show all posts
Showing posts with label lighting. Show all posts

5/22/15

Scientists Studied #TheDress — Here's What They Found About The Colors You See

Scientists Studied #TheDress — Here's What They Found About The Colors You See
Blue and black or white and gold? Scientists are on the case.  (Photo: Tumblr)
Yes, “The Dress” has made the news again, but now it’s taken a scientific turn.
Three papers on the is-it-gold-and-white-or-is-it-blue-and-black debate have been published in the recent issue of the journal Current Biology.
“When The Dress first came out and was shown to the world, I thought it was social media fluff,” Bevel Conway, a professor of neuroscience at Wellesley College and an author to one of the studies, tells Yahoo Health. “But actually, it has taken the scientific community by a far greater, if so, burning storm than it did for the popular media.”
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Here’s what The Dress really looks like. (Photo: Via romanoriginals.co.uk)



Conway’s experiment consisted of 1,400 adults, where over 300 of the participants had never looked at The Dress prior to the study. He and his team discovered that people fell into three different groups — the white/gold camp, the blue/black camp and a smaller blue/brown camp. And they could also be divided by age and sex: they found that older people and women were more likely to see The Dress as white and gold, while the younger volunteers were more likely to see the garment as being black and blue. “The blue/brown group were not as common as everybody else, but they’re a significant group and I have to stick up for them because I’m one of them!” he adds.
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“The leading hypothesis is one that I put out there when The Dress first came on the scene, which is that people have different internal models, and that the color correction algorithm that we have in our brains works differently in different people,” Conway continues. “And that comes about because of the exposure that people have to different lighting situations.”
He then explains how challenging it is for a camera to capture the true color of an image. “Every single photograph that is taken requires some color correction because the connection between wave length stimulus and color is not a reflex — it’s not like that wave length equals that color. This is the main reason why photography was so hard to develop — because the investors had to figure out how to get the film to reproduce closely enough what you had experienced.”
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Yes, someone got a “The Dress” tattoo. ( Photo: Imgur)
And there are tiny computers inside our cameras, which are trying to interpret the correct colors and lighting conditions. “So in this particular case, the illumination conditions were basically confused to the color correction algorithm in the camera,” continues Conway. “So you end up with this very peculiar photograph where the only components in it, the objective pixel colors, are blues and browns. And those two colors just happen to be the colors we associate with natural illuminance.”
Which leads us into the second study, conduced in Germany. The researchers concludes that all of the colors observed by their 15 participants are similar to the colors found in daylight, which supports previous works on how the eye perceives natural sunlight.
The third experiment was comprised of 87 college-aged students from the University of Nevada, Reno. Researchers asked them what color they saw when looking at the light-blue stripes — half reported blue while half reported white. Then the investigators manipulated the image so that the black stripes appeared blue and the blue stripes appeared gold. And 95 percent of the students reported seeing yellow or gold.
The study author, a cognitive scientist named Michael Webster, concluded that our eyes are likely to confuse blue objects with blue lighting and — similar to the German research — has to do with how our eyes translates in the presence of natural light from the sun and the sky.
Conway, of Wellesley, points out that his paper is “entirely correlational and circumstantial, so we need to do a lot more experiments to prove this idea. But The Dress is possibly one of the most effective tools we now have for studying that internal color correction mechanism that we have in our head.”
And so the phenomenon continues.
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5/7/15

The art of before-and-after pictures and how lighting and posture changes your body

Before and after shots
 
Before-and-after adverts, showing pictures of people who have lost weight or become fitter, feature in thousands of magazines. But how reliable are they, asks Justin Parkinson.
Wow, what a transformation. Two volunteers go from looking pale and unfit to tanned, toned and dynamic. Before and after photos show the benefits of a change in lifestyle - eating better, exercising more and, in many cases, taking dietary supplements to help the process along.
So how long did it take for the man and woman on the left to turn into those on the right?
Just under two hours.
They volunteered for photos taken as part of BBC Wales's Week In Week Out's investigation into sports supplements. The "regime" consisted of spray-tanning, 15 minutes of light exercise, improved posture and the introduction of more subtle lighting.


 

How to create the "Before and After" effect

"I was amazed when I first saw the difference," says Joe, the male volunteer, who also had his chest shaved for the shoot. "We hardly did anything in between. There was hardly any editing of the photos, either. It just goes to show what complete rubbish some of these adverts must be."
Physical self-improvement is a long-established business. During the 1940s, weightlifter Charles Atlas advertised his bodybuilding courses by describing himself as a the "97lb weakling who became 'the world's most perfectly developed man'". The pieces often featured stories of how skinny young men on beaches had followed his diktats for a short period, returned and successfully confronted bullies who had kicked sand in their faces.
These days, thousands of nutritional supplements are sold with the stated aim of helping people develop their bodies. The industry is worth more than £300m a year in the UK and, with concerns over obesity far higher than during the post-World War Two period, the global weight-loss industry is expected to be worth £220bn by 2017.
The basic formula remains the same. "If you're in charge of advertising diet products, body-building supplements or vitamins for a client you'd pretty much get fired if you didn't come up with at least one campaign featuring a before-and-after shot," says Peter Davies, director of the RMS public relations agency.
Under EU rules, claims about rapid weight loss or before-and-after photographs which state or imply a rate or amount of weight loss are prohibited, according to a Health Supplements Information Service spokesman.
He adds that there is no specific prohibition against "before-and-after" pictures in relation to muscle gain, but using them to make a claim in relation to a product could be viewed as misleading. A protein product can only ever be marketed as providing the materials for muscle gain that is actually achieved through working out.
"One old trick clients used to try was to simply avoid the use of the words 'before' and 'after'," says Davies. "They'd simply print the pictures alongside each other with no text to lead the reader to assume they were 'before-and-after' images." However, the rules have tightened up, he adds, and "anything that misleads the punter will be pulled" by the Advertising Standards Authority.
Could there even be an upside to before-and-after adverts?
"You could instantly see the volunteers' confidence growing after they were shown the 'after' pictures," says the photographer Antti Karppinen, who carried out the shoot for Week In Week Out. "They were surprised how much better they looked. It was a boost to them."


Week In Week Out will be shown on BBC One Wales at 22:40 GMT on Tuesday 3 March.
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2/2/15

Tip: Use the Magical ‘Match Total Exposures’ Feature in Lightroom for a Quick Fix

matchtotal
If you’re just starting out in Lightroom (or haven’t explored its features much), perhaps you haven’t heard of the powerful “Match Total Exposures” feature. This is a feature that lets you quickly adjust the exposure of multiple photos to match a target photo of your choice.

In the short 5-minute tutorial video below, photographer Matt Kloskowski shows how the feature can be used for quick and easy exposure corrections.

“Match Total Exposures” is particularly useful if you use the exposure bracketing feature on your camera (i.e. the camera captures each scene multiple times at different exposures), as it allows you to match all the photos’ exposures with a few clicks rather than having to adjust each one by itself.
Here’s the low down: After selecting and adjusting the exposure of your base photo, use the Command or Ctrl key (depending on your OS) to select the other photos you’d like to match the exposure for. Then select Settings and Match Total Exposures to have Lightroom match the other exposures as best it can. Voila!
beforeafter
This is an example for when shooting RAW comes in handy, since it can allow for pretty large swings in exposure without ruining your shots.
(via onOne via Reddit)

4/16/13

Working With Low Light

Photography Lighting: how to master shooting in low light


From dimly lit interiors to shooting outdoors before sunrise or after sunset, shooting in low light presents very different challenges to shooting in bright conditions.
It’s often difficult to get the right exposure using the automatic modes in dark conditions, so you’ll need to master Manual mode.
These conditions can also make things like focusing and white balance more challenging, but it’s worth overcoming them, because shooting in low light can result in stunning images.

Exposing in low light

Shooting in darker conditions can play havoc with your camera’s exposure settings, especially if you’re using any of the automatic exposure modes, because the subject will rarely contain a normal range of tones.
In most low-light situations you will get much better, and more predictable, results by switching to Manual.
If the subject contains mainly dark tones you’ll find that your camera will over-expose your shots. This is easily visible, as there will be too much detail in the shadow areas.
The best way to assess the exposure is to take a test shot, and then check the histogram graph. If there’s a gap to the left, the image is over-exposed so you need to use a faster shutter speed, smaller aperture or lower ISO.
When it comes to choosing the exposure settings for shooting in low light you have some decisions to make.
Firstly, do you need to use a fast shutter speed to freeze movement or prevent camera shake if you are handholding the camera, or are you happy to put the camera on a tripod and use long shutter speeds?
To use a fast shutter speed in low light you’ll have to use a high ISO setting, such as 800 or above. But when using a tripod you should set a lower ISO such as 200 or lower for the best quality.
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